Volume 20 - 19 Section I

MAURICE A. GERACHT, Presentation : Gulliver’s Watch 

MICHEL BARIDON, Can Gardens Make Time Visible? 

B. EUGENE MCCARTHY, African American Writers on Nature and Landscape

BERNARD CHEVIGNARD, Saint-John de Crèvecœur’s « Silent Voices, » or the Rustle and Rumble of Ruins

SERGE PAUL, Reshaping Time: Robert Smithson’s Earth Art as a Denial of . History 

PIERRE-FRANÇOIS GORSE, The Temporalisation of Space in Romantic Art: Creative ......... Energy and Myth Creation in the Paintings of J.M.W. Turner and Contemporary Literature

AGNÈS GUIDERDONI BRUSLÉ, L’emblématique sacrée à l’épreuve du temps

RALPH DEKONINCK, « Quand l’oeil écoute » : l’image-temps jésuite

MARIE-CLAIRE BARNET, Traverser le Temps et Tourner les Mots de Jacques Derrida et Safaa Fathy

JANETTE MARTIN, Memory’s Disruption of Colonized Time in Chris Marker’s Film La Jetée

ESTRELLA CIBREIRO, Recapturing a Lost Time: The Artist’s Depiction of Postwar Spain

JAMES J. MIRACKY, A Simultaneous Flow: Diachronic, Psychological and Synchronic Time in the Novel and Film Versions of Woolf’s Mrs Dalloway

PHILLIPE HUNEMAN, Art du temps et temps morts : construction cinématographique entre Antonioni et Kiarostami

MARGOT ANNE KELLEY, Trigger Points and Snapshots: Vision and History in Richard .. Powers’ Three Farmers on their Way to a Dance