Current Exhibitions

Impetus: Visual Arts Faculty 2026

Feb. 3-April 8, 2026

 

A flyer for the "Impetus: Visual Arts Faculty" show

The faculty of the Studio Art program at Holy Cross are fundamental to the student creative experience. In addition to teaching and mentoring, these faculty members maintain a vibrant studio practice outside of the classroom and conduct scholarly research in areas ranging from the environment, feminism, the spectacle of religion, the body, memory, and consumerism. Featuring work by Rachelle Beaudoin, John Carney, Marcus Clarke, Hilary Doyle, Colleen Fitzgerald, Matthew Gamber, Anna McNeary, Victor Pacheco, Cristi Rinklin, and Leslie Schomp.

EVENTS


Opening Reception | Feb. 3, 6:30 p.m. | Cantor Art Gallery

 

Celebrate with the Studio Art faculty at the opening of this exhibition featuring their recent work. Light refreshments will be provided.

  

Makers and Mentors: A Studio Faculty Roundtable | Feb. 11, 4 p.m. | Cantor Art Gallery

 

Senior art majors facilitate a conversation with faculty artists about nurturing the creative process, balancing personal life and professional work, and how to find joy and motivation during career advancement.

Winter Homecoming Concert

 

Feb. 7, 12 p.m., Cantor Art Gallery

 

Presented by the Department of Music.
 

This concert explores the complex themes of memory, political resistance, and the formation of identity through place and experience. Shostakovich’s Cello Sonata, a classical example of a composer writing music grappling with the political environment of his time, is paired with a selection from his student, Galina Ustvolskaya’s “Grand Duet,” a work that challenges the normative compositional and musical boundaries of her time.
 

  • Julianna Stratton, cello
  • Robert Gardner, piano

Conversations on Contemporary Art and Faith: Marcus Clarke and Peter Fritz 

 

Monday, March 16, 12 p.m. | Cantor Art Gallery


 

Exhibiting artist Marcus Clarke is joined by Professor Peter Fritz of the Religious Studies department to discuss the intersections of contemporary art, religion, and theology in society today.


 

Currently on view in Impetus: Visual Arts Faculty 2026, Clarke’s work explores the challenge of creating art that explores religion today, balancing belief, sentimentality, and criticism. Focusing on American Christianity and its varied forms, including Pentecostal worship, megachurch aesthetics, and Catholic devotional traditions, Clarke investigates the spectacle and theatricality of religious rituals. 

Treadmill of Information: Art, Influencers and Wellness Culture

 

Wednesday, March 18, 12pm | Cantor Art Gallery


 

Join Professor Rachelle Beaudoin, Liz-Drexler Hines, Director of Student Wellness Education, and Jeff Oliver, Head of Olympic Sports Performance, as they discuss Beaudoin’s work in the current exhibition, Impetus. Beaudoin’s work addresses ideas around self-care and wellness, critiquing the online performance of and push towards constant optimization.

Reframing Identity Through Our Histories: Hilary Doyle, Colleen Fitzgerald, and Leslie Schomp 

 

Wednesday, March 25, 12:30pm | Cantor Art Gallery


 

Hilary Doyle, Colleen Fitzgerald, and Leslie Schomp discuss their work currently on view at the Cantor Art Gallery. Each artist uniquely foregrounds the role of history in examining contemporary society, whether through familial history, historic figures, or cultural heritage traditions. Each mines personal or public archives to consider how we deal with the past to speak to contemporary issues around gender equality, social issues, memory, and the self.

Christine Sun Kim (b. 1980, active Berlin, Germany), Mind Touch Touch Touch, 2025, digital print of charcoal drawing

Repetition and iteration define Christine Sun Kim’s work, which distinctly incorporates the visual representation of sign language. This mural was made exclusively for the Cantor’s front window and comes from a body of work that combines text and graphic representations of signs in American Sign Language (ASL). Here, Kim depicts the arc of the hand movement in the sign obsess, which is a compound formed by the signs for mind and touch. Through her practice, Kim foregrounds Deaf culture; explores the relationship between sound, language, and image; and explores the social politics of communication. CLICK HERE for a video of obsess being signed in ASL.

 

Christine Sun Kim joins the 2025-26 Prior Presents Visiting Artist Series in a February 19 co-presentation with the Holy Cross Department of Visual Arts.

A work of Christine Sun Kim

 

(Image courtesy of the artist, François Ghebaly, Los Angeles and New York, and WHITE SPACE, Beijing.)

Past Exhibitions

The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975)

August 26-December 19, 2025

 

The Vietnamese Áo Dài in a Time of War explores the significance of Vietnam’s national costume—the áo dài—during the Vietnam War. Honoring the 50th anniversary of a conflict, the legacies of which continue to haunt us to this day, the exhibition highlights the contributions of Vietnamese women to politics, society, and culture. Artifacts trace the history of the áo dài as a practical item of clothing and important symbol of Vietnamese heritage and identity in Vietnam, among Vietnamese Americans, and on the global stage—thus showing how a national costume can be both traditional and modern fashion with meanings that change over time and space. Co-curated by Professors Ann Marie Leshkowich (Anthropology, College of the Holy Cross), Martina Nguyen (History, Baruch College, City University of New York), and Tuong Vu (Political Science, University of Oregon).

The Saturday Evening Post

 

(The Saturday Evening Post cover photo by Burt Glinn © SEPS licensed by Curtis Licensing Indianapolis, IN.)