Our Mission

The mission of the Iris and B. Gerald Cantor Art Gallery is to promote and support the intellectual and cultural life of College of the Holy Cross. Through its exhibitions and acquisitions, both historical and contemporary, the gallery serves as a catalyst for the search for meaning and value in life and history, and as a venue to stimulate dialogue about questions related to the mission of the College. Exhibitions are selected to not only integrate with our broader liberal arts curriculum, but to educate our audiences on the fundamental intellectual, cultural, spiritual and aesthetic issues encountered through art.

Current Exhibitions

Impetus: Visual Arts Faculty 2026

Feb. 3-April 8, 2026

 

A flyer for the "Impetus: Visual Arts Faculty" show

The faculty of the Studio Art program at Holy Cross are fundamental to the student creative experience. In addition to teaching and mentoring, these faculty members maintain a vibrant studio practice outside of the classroom and conduct scholarly research in areas ranging from the environment, feminism, the spectacle of religion, the body, memory, and consumerism. Featuring work by Rachelle Beaudoin, John Carney, Marcus Clarke, Hilary Doyle, Colleen Fitzgerald, Matthew Gamber, Anna McNeary, Victor Pacheco, Cristi Rinklin, and Leslie Schomp.

EVENTS


Opening Reception | Feb. 3, 6:30 p.m. | Cantor Art Gallery

 

Celebrate with the Studio Art faculty at the opening of this exhibition featuring their recent work. Light refreshments will be provided.

  

Makers and Mentors: A Studio Faculty Roundtable | Feb. 11, 4 p.m. | Cantor Art Gallery

 

Senior art majors facilitate a conversation with faculty artists about nurturing the creative process, balancing personal life and professional work, and how to find joy and motivation during career advancement.

Winter Homecoming Concert

Feb. 7, 12 p.m., Cantor Art Gallery

 

Presented by the Department of Music.
 

This concert explores the complex themes of memory, political resistance, and the formation of identity through place and experience. Shostakovich’s Cello Sonata, a classical example of a composer writing music grappling with the political environment of his time, is paired with a selection from his student, Galina Ustvolskaya’s “Grand Duet,” a work that challenges the normative compositional and musical boundaries of her time.
 

  • Julianna Stratton, cello
  • Robert Gardner, piano

Christine Sun Kim (b. 1980, active Berlin, Germany), Mind Touch Touch Touch, 2025, digital print of charcoal drawing

Repetition and iteration define Christine Sun Kim’s work, which distinctly incorporates the visual representation of sign language. This mural was made exclusively for the Cantor’s front window and comes from a body of work that combines text and graphic representations of signs in American Sign Language (ASL). Here, Kim depicts the arc of the hand movement in the sign obsess, which is a compound formed by the signs for mind and touch. Through her practice, Kim foregrounds Deaf culture; explores the relationship between sound, language, and image; and explores the social politics of communication. CLICK HERE for a video of obsess being signed in ASL.

 

Christine Sun Kim joins the 2025-26 Prior Presents Visiting Artist Series in a February 19 co-presentation with the Holy Cross Department of Visual Arts.

A work of Christine Sun Kim

 

(Image courtesy of the artist, François Ghebaly, Los Angeles and New York, and WHITE SPACE, Beijing.)

Past Exhibition

The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975)

August 26-December 19, 2025

 

The Vietnamese Áo Dài in a Time of War explores the significance of Vietnam’s national costume—the áo dài—during the Vietnam War. Honoring the 50th anniversary of a conflict, the legacies of which continue to haunt us to this day, the exhibition highlights the contributions of Vietnamese women to politics, society, and culture. Artifacts trace the history of the áo dài as a practical item of clothing and important symbol of Vietnamese heritage and identity in Vietnam, among Vietnamese Americans, and on the global stage—thus showing how a national costume can be both traditional and modern fashion with meanings that change over time and space. Co-curated by Professors Ann Marie Leshkowich (Anthropology, College of the Holy Cross), Martina Nguyen (History, Baruch College, City University of New York), and Tuong Vu (Political Science, University of Oregon).

The Saturday Evening Post

 

(The Saturday Evening Post cover photo by Burt Glinn © SEPS licensed by Curtis Licensing Indianapolis, IN.)

Permanent Collection

The Iris and B. Cantor Art Gallery has more than 1,000 objects in its permanent collection. Through the generosity of alumni, artists and friends of the College, the gallery has become a resource to the campus community for permanent and rotating placements of art objects that enhance the landscaped grounds of the campus and interiors of many academic buildings. A rotating selection of the permanent collection is often on view in the Iris & B. Gerald Cantor Foundation Resource Gallery adjacent to the main gallery space.

The permanent collection represents a broad spectrum of art and historical periods and is enriched by the gift of a teaching collection comprised of historical Southeast Asian textiles from West Sumatra, and other islands of Indonesia, India and Laos. 

A recent major gift of drawings from the archive of American abstract expressionist Robert Beauchamp (1923-1995) was given to the College by his widow Nadine Valenti Beauchamp, with an exhibition curated by Professor Maurice Géracht (English), Professor Leslie Schomp (Visual arts) and the director of the Cantor, Roger Hankins, which was on view from January 25 through March 28, 2018. 

Additional notable works in the permanent collection include sculpture by Auguste Rodin, Enzo Plazzotta, Chaim Gross, Peter Grippe, Georg Kolbe, Robert Beauchamp and Robert Wlerick; photographs by Marilyn Bridges, Paul Caponigro, William Garnett, Eliot Porter and Dorothy Norman; and paintings, prints and drawings by Michael Beatty, Robert Beauchamp, François Bonvin, Robert Goodnough, Terri Priest, Dorothea Rockburne, James Stroud and John Wilson.

    

Our History

The Iris and B. Gerald Cantor Art Gallery was established in 1983 to present exhibits of art that enhance the cultural, academic and spiritual life of Holy Cross students, faculty and staff. The Cantor Art Gallery has the distinction of being the first space endowed by the Cantors, who subsequently established the Cantor Center for the Arts at Stanford University, as well as named galleries and the rooftop garden at the Metropolitan Museum of Art in New York, among others. The warm friendship with the Cantors and the Cantor Foundation that helped establish the Cantor Art Gallery continues to flourish today. A $1 million dollar challenge grant to strengthen the gallery’s endowment was reached and awarded in 2008; annual funding support for special projects continues; and loan exhibitions of Rodin sculptures from the Cantor Collections have taken place in 2003 and 2019.

Location and Hours

We are located on the third floor of The Prior Performing Arts Center. Admission is free and open to the public.

Standard Hours

Monday: by appointment only

Tuesday: 10 a.m.-5 p.m.

Wednesday: 10 a.m.-5 p.m.

Thursday: 10 a.m.-6 p.m.

Friday: 10 a.m.-5 p.m.

Saturday: 12 p.m.-5 p.m.

Sunday: closed

Contact Us

Iris and B. Gerald Cantor Art Gallery

Location
College of the Holy Cross
Prior Performing Arts Center
1 College Street
Worcester, MA 01610

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