Interfaces Volume 33

Table of Contents

Philip BALL:   The Invention of Colour

Vincent BERGERYellows, Colors: How many dimensions?

Severine LETALLEUR-Sommer: Meaning construction and colour schemes. An enactive paradigm

Line ARGOUD: Blue, black, blond, blush et les autres: quand le segment initial anglais BL- diffuse sa palette de couleurs

Virginia C. RAGUIN: Transcending Colors and Stained Glass in the Middle Ages and the Present

Armelle SABATIER: White or/and red?: Defining and re-defining the colour of corruption in John Webster's The White Devil

Vanessa ALAYRAC-Fielding: Japanning, gilding and dyeing: chinoiserie and colour in 18th-century England

Fabien DESSET: Shelley's uneasiness about colour in his poetry and ekphrasis

Muriel ADRIEN: L'oeuvre de Turner en regard avec le Traite des couleurs de Goethe

Charlotte RIBEYROL: 'Strange dyes' (walter pater): the colour that dare not to speak its name

Lilliane LOUVEL: Ecrire la couleur: un defi poetique. Histoires de bleu et de vert

Jean-Loup KORZILIUS: Gourmandise ou force? Remarques sur la sensualite et la sensorialite dans les propos sui la couteur chez les peintres d'vant-garde

Kamila BENAYADA: Colour as text in the paintings of Stuart Davis

Federico PIEROTTI: Noir et blanc vs couleur. L'ordre visible du cinema

Maurice A. GERACHT: The Allure of Color: Allison Sidder's Color Theory # 1