| This is an extremely challenging course that
synthesizes theoretical and practical components to introduce students to the art of acting. Students will be expected to perform as both scholars and practitioners as they learn the underlying fundamentals of acting and begin to master the basic principles of the craft.Students will participate in a series of exercises, games and improvisations to improve concentration, focus and creativity. In addition, students will perform two scenes with partners for in-class presentation and will participate in a public performance at the end of the semester. By the end of the course, students will be able to perform in a confident and competent manner while inculcating the theoretical ideas that form the basis for the Stanislavskian approach to acting. |
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o Attendance at all sessions.
This is a studio course and your presence is of
paramount importance.
Every unexcused absence will result in an immediate
reduction of 1/2 of a grade.
o Participation in all exercises, games, and scene work
o Completion of all writing assignments in a timely fashion.
I. One 4-5 page that provides a concise,
well-organized overview of the Stanislavskian
approach described in the assigned
reading. This is not a book report, but a theoretical summation.
II. Two 2-3 page papers that describes, in
detail, the prior and given
circumstances of the character
you are portraying in your final project.
III. Midterm & Second Acting Projects
IV. FINAL PUBLIC PRESENTATION
REQUIRED READING
Gallway’s INNER TENNIS
Stanislavsky’s AN ACTOR PREPARES