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What follows are the original fieldnotes I wrote in the days immediately following the attempted lynching that took place in Villa Pagador on 10 March 1995, about which I write in "The Spectacular City."

Instructors: Students may find it interesting to compare the rough notes from my original fieldwork with the final narrative and analysis as it appears in the book. Some discussion questions:

1. How do the fieldnotes of the event contrast with the final written analysis in the book? How do the author's stance (e.g., of uncertainty) and the process of discovery he recounts differ from the final textual account in "The Spectacular City"?

2. What kinds of choices must an anthropological author make in transforming fieldnotes into published text? What gets included? What gets left out? What seems to be the basis for this decision-making?

3. What sorts of methods did the author of these fieldnotes use in gathering the data upon which they were based? What additional methods were used in gathering the data upon which the books' text was based?

4. At points the author inserts his own voice or evaluations into the descriptions of events he is recording. Discuss this mingling of opinion, or commentary, with more "objective" descriptions. Can one be as quick to interject one's opinions in a formal written text as one can in fieldnotes? Why or why not?

5. What discrepancies, if any, do you notice between the fieldnotes and the final text? What might account for them?


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