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Courses in Italian

Elementary Italian I and II

Meant for students with no previous study of Italian, the first year sequence is designed to help students acquire basic speaking, reading and writing knowledge of the language. Over the course of two semesters, students study the entire range of Italian grammar and have abundant opportunities to improve their speaking and writing skills in a relaxed and friendly atmosphere. The first year courses also provide students will a look at Italian culture in general through selected readings, music and video.

Intermediate Italian I and II

This second year of Italian language study presents a thorough review of the grammar presented in Elementary Italian with a focus on efficient communication. Students explore a significant amount of literary and cultural material, discuss several Italian films and even read an entire novel in the second semester of the sequence. Emphasis is given to accurate expression in writing and to achieving a fluent conversational style in speaking. [Required for major.]

Composition and Conversation

This course is designed for students who have a solid grasp of the fundamentals of Italian grammar. The objective of the course is two-fold: to improve students' oral and written skills and to further familiarize them with the issues that define contemporary Italian culture. These goals will be achieved through the study of a wide variety of authentic materials, including newspaper and magazine articles, comic strips, Italian literary works, song lyrics, and video, presented in a thematic fashion. Certain materials will be taken from or accessed via the World Wide Web. Students will analyze the cultural significance of the text in question through oral, in-class discussion or debate and written compositions. Grammar will be reviewed in context; particular emphasis will be placed on the more advanced grammatical points. [Required for major.]

Dante

In this course students explore Dante's masterpiece as an encyclopedic compendium of medieval thought as well as a very personal vision of the individual's place in the universe, a poetic journey that is as meaningful now as it was seven hundred years ago. Subjects of discussion range from poetry to theology, philosophy, history and humanism. Required readings include the Vita nuova and, of course, the Divina commedia. Discussions of interpretative approaches and background readings help place this classic of Western literature in context. Although the course is taught in English, one optional extra hour per week is dedicated to a reading of the text in Italian for those who speak the language and want to read the poem in its original form. [Required for major.]

Survey of Modern Literature

The course examines the genesis and development of several literary movements from the Enlightenment to the twentieth century. Students will study the classic Italian texts of the modern era that are largely representative of the social and esthetic concerns in vigor during Italy's rise from Napoleon's "garden" to a dynamic unified nation. Discussion of the most significant shaping forces in Italian society will focus on a range of subjects from politics to existentialism and beyond. Authors to be studied include Goldoni, Alfieri, Foscolo, Leopardi, Manzoni, Carducci, Verga, Pascoli, D'Annunzio, Svevo, Pirandello, Moravia and Calvino. Taught in Italian. [Fulfills a major requirement.]

The Nineteenth-Century Novel

This course focuses on the "classic" novels of Italian literature by Alessandro Manzoni, Giovanni Verga, Gabriele D'Annunzio, and others. The nineteenth-century Italian novel, influenced by the literary traditions of France, Germany, and England, and the aesthetic concerns of Romanticism, Naturalism, and Decadentism, tells the human stories behind Italy's evolution into a unified and "modern" European nation. Both plot-driven and experimental in form, these works reflect the political and artistic tumult that marked the age. Taught in English. [Fulfills a major requirement.]

The Twentieth-Century Novel

This course provides an introduction to twentieth-century Italian literature and, in particular, to the novel of the Novecento, through the study of several renowned authors and their works. The novels will be considered in the light of contemporary historical events (the World Wars, the Holocaust, the economic boom of the 60s, etc.) as well as in their specific literary contexts. Subjects of discussion include the sources, literary movements and intertextual influences that contributed to the production of the selected texts. A full understanding of the century's masterpieces will be attained through the analysis of the history of the Italian novel and, at the end of the semester, a consideration of the genre's future. Taught in Italian. [Fulfills a major requirement.]

The Twentieth-Century Novel and World War II

A study of twentieth-century Italian narrative focusing on the experience of the WWII. Topics include antifascist resistance, the partisan war, the Holocaust and Italian Jews, and changes in Italian political, economic, social and cultural life that resulted from the war. Authors studied include Italo Calvino, Carlo Levi, Giorgio Bassani, Cesare Pavese, Natalia Ginzburg, Primo Levi, Alberto Moravia, Elsa Morante. Students will also view and discuss films adapted from several works. Taught in Italian. [Fulfills a major requirement.]

Italian Women Writers

This course is designed to introduce students to Italian literature and to women's writing through the study of celebrated Italian female authors and their works. The novels will be presented within a historical and theoretical context: students will consider the evolution of the women's movement in Italy and feminist theory in their literary analyses. Class discussion will focus not only on the plots and characters of these works, but also on the themes that unite them, such as relationships between women, motherhood, the oppression of women, and the nature of female creativity. While all of the novels in question were written in the twentieth century, reference will be made, where pertinent, to historical and literary precedents. Taught in English. [Fulfills a major elective.]

Italian Cinema

In this course, students will examine the major trends and styles of some of the most important filmmakers of Italy, from the silent era to the modern day. Cinematic periods considered over the semester include Fascism, Neorealism, the Comedy of the 1950s, the rise of the auteurs, the Spaghetti Western, the Political Drama of the Left, and the new Cinema of the 1980s and '90s. In addition to historical investigations, students will be introduced to the major currents in film theory such as Russian Formalism, Structuralism, Psychoanalysis, Feminism, Semiotics and Postmodernism. Weekly screenings feature the work of De Sica, De Santis, Fellini, Germi, Antonioni, Leone, Pasolini, Bertolucci and others. Taught in English. [Fulfills a major elective.]

Italian Cinema and Society

An examination of society through the medium of film, this course highlights the intriguing interaction between aesthetic and sociological concerns of some of the most important figures in Italian cinema. Students will explore significant social, political and cultural issues such as the North-South question, political corruption and the disintegration of the family. Directors whose works will be screened include Pasolini, Scola, Rosi, Germi, Moretti, Tornatore, Salvatores and others. Taught in English. [Fulfills a major elective.]

Renaissance Florence: History and Literature

Florence has been praised for centuries as the "cradle" of the Renaissance, as the birthplace of some of the most enlightened minds of the Early Modern Age. But was the city really like? In this course students look closely at the life of the Florentines from the time of the Black Death to the remarkable social successes of the 1550s. Through readings of historical and literary texts, they examine the lofty ideals of princes, poets and philosophers as well as the apparently unsophisticated perspectives of merchants, laborers and slaves. We will investigate a time in which extraordinary advances were made in almost all areas of human endeavor, from revolutionary ideas in the fields of art and literature to the invention of the fork. Students will study and discuss concepts that were hotly debated in the Renaissance and that, indeed, are still of immediate interest even today. Readings include selections of poetry, prose, history, philosophy, theology, biography, diaries and personal correspondence by authors such as Petrarch, Boccaccio, Pico, Leonardo da Vinci, Michelangelo, Machiavelli and others. Taught in English. [Fulfills a major requirement.]

The following courses have been offered in the past as Special Topics courses:

Boccaccio's Decameron

Survey of Medieval and Renaissance Literature

History of the Language

Recent Italian Narrative

Note: For a complete list of course offerings, please consult the current College Catalog.

The final authority on college and departmental policy is the College Catalog.

   
   
   
   
   
   
   
   
   
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